American Sabbatical 051: 11/11/96
Los Angeles
			
			
11/11.. Los Angeles 
		
		Barstow is a remarkably integrated town, if our experience is any indication. In the restaurants on the
		strip, both evening and morning, there were mixed crowds of Blacks,
		Hispanics, Whites, and Orientals, all chowing down together in
		family groups. Granted, they were all middle class, but it was
		heartening nonetheless to encounter the whole stew in one pot.
		
		The town itself was a sprawl bordered with railroad marshaling
		yards, tank farms, some sort of refinery/mill, a solar water project,
		and a Marine Corps Base. Beyond that the lone and level sands
		stretch far away. This is the western terminus of the big dry
		and dusty where even the cacti are shy and standoffish. We pulled
		down our hatbrims and rejoined the road race.
		
		Our final sprint across the desert was unremarked except by the
		odd mountain rearing up like an island. One was framed by sweeping
		catenary curves rising to crescendo at the peak, another, a perfect
		black cone, had a spiral road climbing around it to some private
		castle atop the nowhere. The fourwheelers and dirtbikes had left
		linear scars thitherwhichaway. Then the Joshua trees started waving
		their arms again and the scrub began thickening.
				
			
					 
			We struck on dispersed development long before we raised any woody
					growth, and turned off the interstate onto Pearblossom Highway
					to skirt east of the San Bernardino mountains, and circle round
					to West LA. It was a kick to be in a famous painting. David Hockney
					did a fragmented photomontage image of a junction on the Pearblossom
					Highway, with trash on the shoulder, and naked desolation to the
					far reaches, and he got it right, heat shimmer and all. To our
					left (west) the dark cordillera was capped with snow. 
					
					 
				
						Pearblossom Highway
						(David Hockney Painting) 
					
These are the unvarnished desert outskirts of The Big One, over the outer ranges, and they have a seedy, outlaw ambiance. Trailers and modest bungalows between abandoned hopes and thrift outlets. Antiques and Real Estate, one opportunist advertised. The sideroads deadended in junkyards or petered to dust. The few people in sight looked worn out, and there was a glut of beaters. Even the road was half-paved. But the Joshua trees were magnificent in abundance and extravagant in choreography. There were patches of bunchgrasses, and raptors coiled the air.
				
			
					 
			
					 
					
						First Sightings 
					Then the traffic thickened, and the pace, as we merged first into
					one freeway, then another: we had joined the Angeleno jostle.
					The fourlane, then sixlane, then eightlane, swept up into the
					San Gabriels and over Soledad Pass. The shrubs became trees, dense
					stands of juniper, thick chaparral, then the hillsides opened
					into mixed grasslands and desiccated shrubs. There had been fires
					all through these hills, and black barrens yielded to thin washes
					of bronze where the grasses had sprung back, and were now crisp
					again. At one point we plunged between upheaved strata in a fractured
					landscape that looked as though a quake had passed through yesterday.
					Then we tipped headlong into the San Fernando Valley and the city
					blossomed around us. 
				
Los Angeles is an hundred cities in one, spread along a coastal plain, climbing the surrounding hills, pushing up the canyons, spilling into the valleys beyond, and oozing out through the gaps in the big mountains which drink the winds dry. The Valley is where those kind of girls come from, and we were quickly in mega-urb to the max. From stingy desert survivors to luxuriant irrigated super-flora was an eyeblink, and a million Spanish castles bloomed on the hillsides. Like, WOW.
				
			
					 
			Once in the maelstrom its impossible to focus on the whirlingspast.
					Cresting the last rise above the coastal metropoli the ocean smell
					hangs in the yellowed air like an enticing incense, but you are
					instantly bombarded with a cacophony of floral aromas, muddling
					eye dazzles, and the intense lane-shuffle samba. California highway
					signs are a casual after-thought, and the city was laid out by
					road engineers who studied with Jackson Pollack. You cant even
					navigate by compass in this polis. No wonder the natives are so
					dizzy. Fortunately I was traveling with a native (so many things
					becomes clear), and she guided us up into the Brentwood hills
					to the funky digs of Nina and Bill, the next victims of Muirinvasion. 
					
					 
				
						Onto the 8lane 
					
Nina was Peggys college companion, and its fun for me to watch
		the two of them shed the years together. She is a professor of
		History at Occidental, he is a Physicist at UCLA. True scholars,
		in the best of the academic tradition. Nina is just bringing to
		publication a book about Louis the 15ths official mid-wife, who
		trained young women all over France in modern techniques of delivery
		under a royal patent, and her narrative account of M. de Coudrey
		is stylistically heretical, raising the hair of her colleagues.
		So we had some dandy discussions on the nature of historical truth.
		Nina says that narrative history is enjoying a renaissance after
		a generation of dominance by the annalists who followed in Braudels
		footsteps. This is to say that the story has recovered from the
		onslaught of the database. Hurray the taletellers.
		
		Bill and I politely waltzed around the dissonance of physics vs
		metaphysics. I dont see a necessary conflict between left and
		rightbrain perceptions of reality, but Bill is convinced that
		only Science is provable as truth (yes), and thus a valid subject
		for analysis (no). I argued that art is the science of the spirit,
		the perceptual focus which can reveal an inner universal truth.
		That works of art which speak to an age are analogs of that eras
		scientific theories: windows on fundamental realities. Its stimulating
		to bump heads with eggnoggins. One of those urban sports.
		
		Another is peoplewatching, and LA is the ultimate circus parade.
		And a selfconscious parade, at that. This is the capital of bodybeautiful
		and the simmer of mutual appraisal tingles even a jaded wanderer.
		There are more anorexic joggers, curvaceous rollerbladers, hunks
		in surfing suits, and sensuous strutters per square mile in LA
		than anywhere else. But the costume show is so eclectic as to
		be comical. Tights under floral miniskirts with highheel Doc martins
		on matrons with pearls and Twenties hairstyles. Tie-dyed granny
		dresses on inline skaters. Withered tanmasters in shorts and gold
		chains wearing smoked sunglasses and clogs. Postmodern couture
		in Santa Monica.
				
			
					 
			
					 
					
						The babe's house 
					It goes with the architectural theme. Faux Chateau next Mock Tudor
					side by Hacienda Moderne door to MaxiCape-and-El side to Cantilevered
					Bau Haus. We revisited the house on Roxbury, in Beverley Hills,
					that Peggy was born into, and it's a fanciful Spaniard in an overshadowing
					grove of palms. Around the corner is the Witchs House from a
					childrens movie of the day, surrounded by monkey puzzles. If
					buildings are signs in Vegas, they are movie sets in LA. And there
					are a million movies in Tinsel Town. Nina and Bills cliffhanging
					contemp is wound up at the top of Kenter Canyon in Brentwood,
					on the western periphery of the megaburg, upcountry from Santa
					Monica beach. Twentysome years ago it was a backwater bargain.
					Now its an upscale address, and the local matrons wouldnt chip
					their nails with housework. What you see on the streets are nannies
					strolling the offspring and Hispanic yardmen trimming the shrubbery..
					and the joggers. 
				
				
			
					 
			And the fab cars. Every dream vehicle you ever drooled over from
					sexy sportscars to antique pickups, with a predominance of new
					German high-tickets. These are the real outerwear of the Angelenos
					and they drive with sartorial flair. The cutoff with head toss.
					The sunbleached tousle in drag takeoff. There are surprisingly
					few motorcycles for such a fairweather town, but I did glimpse
					one immense black man in chains and stormtrooper helmet Harleying
					fiercely down Sunset. 
					
					 
				
						The witch's house 
					
I have to admit that Red Owl has felt intimidated in all this mechanical splendor. In fact, her brakes are failing. Having paid through the nose for a complete brake overhaul before departure, this is another indictment of Wiscasset Ford. May they all live on the hilltops and depend by their own brake work. I get queasy enough in the highclass altitudes, now I find them upright scareful. We roar downhill in first gear with anxious Angelenos dodging around us.
				
			
					 
			
					 
					
						101 
					Our first evening in town we were booked in for dinner atop Beverley
					Hills with an old friend of Peggys family. This is the top of
					the pyramid, loyal readers, and the posh climbs to stratospheric
					heights here. Street vendors peddle star maps for these streets.
					Its a silly game of higher upmanship on this storied slope, and
					the houses themselves are, ironically, almost impossible to see.
					Between the plantings, walls, and steep angles, all this architectural
					extravagance is invisible. One mansion actually has lawn ornaments
					(!), but they are dalmations, and (you guessed) there are 101
					of them. The swank set may be invisible, but the address is the
					thing. 
				
Our destination was up on the skyline on Chalette, and the view
		was astronomical. The whole sparkling galaxy of lower Los Angeles
		spread out beneath us was as head-spinning as the penthouse panorama
		from upper New York. This is where social climbing gets you. Better
		check your brakes.
		
		Our hosts, on the other hand, give big money a good reputation,
		and are special people on top of it all. Aaron was a poor immigrant
		kid from Chicago who could tell a funny story and got all of America
		to laugh at their television. Maureen sang and danced her way
		to the top of Broadway and on to Hollywood. Now they work every
		day for charity. Hes a volunteer advocate for underclass teens
		in Juvie and a mentor for abandoned children, she is a fundraiser
		for handicapped kids. Aaron is in his 80s, but as spry as a 60-year-old,
		and Maureen has an ageless beauty. Here are folks who have it
		all, but who care enough to come down from the mountain to wrestle
		with the street demons. Pretty inspirational stuff.
		
		They also have a splendid collection of contemporary art, and
		I was surprised to find it all about people, people of all colors
		and description -- but I should have known. Id carried a tubful
		of carvings to show across America, in part because Aaron had
		volunteered to puff my stuff to the dealers he knows out here.
		Now he was obviously upset at encountering roadblocks in the galleries.
		The fact is you cant just sail in as an unknown provincial artist
		working in an unfashionable genre and get star billing. The art
		biz is a very competitive profession, and Aaron in his innocent
		generosity had run hardup against the walls of commerce. So much
		for the big break in Beverley Hills. He has put me in touch with
		some dealers in other places, and I can play those cards as I
		choose. We politely changed the subject.
		
		We talked politics and social service and family reminiscence
		into the wee hours. Aaron grew up with Peggys father and has
		been a loyal friend of that clan all his life. He stuck by Leo
		when he had walled himself off from everyone else, and is now
		joyful that Leo has come out of his isolation to rejoin the family
		circus. As the hour got late he let loose a few family secrets,
		and we netted them quietly to carry off for examination. It was
		a warm embrace in the stellar altitudes, and we winced as the
		Owl smoked and squawked back down to Sunset and around to Brentwood.
		The traffic lights were flashing and all the sprinklers in LA
		were misting the median plantings.
			
			
(Memo #44)
				
			
					 
			Nov. 13 - FAMILY COURT LOS ANGELES  
					
					
					Who? children and parents in the legal system
					
					What? new court building
					
					Where? central Los Angeles
					
					When? recently
					
					How? child- and family-sensitive architecture 
					
					Topics: CASA, family court, court architecture, independent living
					program, HOORAY FOR FREEPORT.
					
					Questions: How do we protect childrens interests? How does a
					court determine the best interests of children? What is CASA?
					How do we facilitate the move of children from dependent to independent
					living?
					 
				
						Santa Monica Sideshow 
					
Today I spent the day in the family court building in Los Angeles.
		I was the guest of my fathers boyhood friend Aaron Ruben who
		had fascinated me with stories about his work for CASA (Court
		Appointed Special Advocates). CASA started about twenty years
		ago when a judge discovered that the bureaucrats at family court
		knew little about the children in one case. The judge put out
		a call for volunteers to be advocates for children in court situations,
		to be on their side, looking after their very individual needs
		and interests. He got many volunteers and the organization was
		born. CASA is now found all over the nation.
		
		How much do we need special advocates for children? Here are the
		horrific US statistics. Every day 8200 children are reported as
		abused, neglected, or abandoned. Every day 500 children are placed
		in foster care or institutions. Every day 3 children die from
		physical abuse.
		
		If you want to be a CASA volunteer, you undergo training in legal
		procedures and counseling and child development. Working under
		a CASA director, a CASA member will be assigned several children
		(only one CASA person Ive heard of had more than four children).
		CASA deals with situations in which children have been abused,
		neglected or abandoned. The CASA representative meets with the
		child or teenager and the social worker. And s/he advocates -
		s/he watches and listens and asks questions and finds out all
		s/he can about this one child and this one family. The CASA advocate
		goes to meetings with the child (and family) - from PETs to court
		sessions. The advocate (unlike the social worker or lawyers or
		judge) has only one or two children to represent. That one childs
		interest is paramount. There are limits to the role. You do not,
		for example, take the child in, but you DO make regular contact
		and become the person the child can depend on. Aaron Ruben drives
		to the juvenile hall facility once a week to meet with his CASA
		boy (the only regular visitor the boy has). Today Aaron was delivering
		several boxes of stuffed animals to the court to be given to children.
		
		The family court building is new. In the past, children whose
		parents were abusive or absent would wait to see a family court
		judge, and sit next to mass murderers and arsonists in the one
		court building. This building was designed with the children and
		their needs in mind. You enter the huge building through a small
		houselike space. There IS a search and no cameras or guns etc
		are allowed. The lobby has clouds on the ceiling, whimsical trees
		for lightstands, and a mural made up of crayoned self-portraits
		of children. The second floor is where children wait for their
		cases to be called. They have a large library with a variety of
		books, an art room with a variety of materials, a cafeteria, a
		large TV room with many beanbag chairs, lockers to put valuables
		in. There are staff people available for help and comfort . The
		space is large and bright and clean and quite charming .
		
		Upstairs on the courtroom floor there were hundreds of people
		waiting in the large lobby. Again the space was bright and warm
		and comfortable with a variety of chairs (some child sized), and
		small conversation arrangements. There are diapering rooms and
		nursing rooms! There were kids of all ages from teenagers to new
		babies. The adults ranged from foster parents to parents and grandparents,
		CASA representatives, lawyers etc.
		
		I visited Judge Emily Stevens court. The family court courtroom
		is smaller and more rumpled and intimate than criminal court.
		The judge sits at a low desk (again so children will not be intimidated).The
		witness chair (where a child may sit) has a few teddy bears on
		it. There are tables and desks for many court officials. I saw
		a room abustle with quiet activities, both dignified and somewhat
		informal. Judge Emily Steven is a bright, efficient, and compassionate
		Afro-American. While she and the other officials care deeply about
		the children and family in the cases they hear, numbers are against
		them. Judge Stevens court hears about forty cases a day - It
		makes it difficult to take a thoughtful, thorough time to determine
		a childs interests. This suggests how important a CASA worker
		can be.
		
		I went to a meeting of CASA workers on the topic of independent
		living. There is an independent living program (federal) focused
		on teenagers sixteen and older. How do you move kids from foster
		care to independent apartments? There is some housing available
		now but just not enough. Many of the CASA workers said their teenagers
		were on waiting lists. One girl had waited eighteen months for
		an apartment. In the mean time they may have to stay in shelters
		or group homes. People will only be supported in foster home until
		they are 18.
		
		YAY FREEPORT: Youll see why we should congratulate our school,
		Mrs. Wescott, Mr. Lincoln, Mrs. Smith!!
		
		The CASA director described the NEW AMAZING federal Independent
		Living Program. The federal government gives money to community
		colleges to run special courses to prepare kids for independent
		living. Students are paid and given transport to the classes.
		They are taught to manage a checking account, shop, cook, pay
		bills, read a lease. They are given career guidance and vocational
		testing and have job fairs and college fairs. They must collect
		important documents such as birth certificates. I proudly put
		my hand up and said that my high school offered all these services,
		we took kids to college fairs and had an Independent Living course
		for seniors and an extensive career planning program. I asked
		whether it wouldnt make better economic sense to pressure the
		California legislature to put in a graduation requirement for
		independent living courses than to set up new ones at community
		college. Several speakers said that wouldnt help or reach the
		dropouts (true). I still found myself really proud of all the
		Freeport staff does to get students ready for adult life.
		
		I heard many stories about children and teenagers in court care
		and some are hair-raising. One CASA worker said that he questioned
		the current stress on keeping families together as THE top priority.
		He had CASA kids who went through horrors- ten foster homes in
		a year ! - while the court tried to reconstruct the family (get
		the parents into drug rehab and counseling). Must we accept the
		fact that some families CANT be put together? It sounds as though
		Maine has all the same problems, but small scale.